By Steffen Hantke
Creatively spent and politically beside the point, the yank horror movie is an insignificant ghost of its former self-or so is going the outdated observed from lovers and students alike. taking up this undeserved recognition, the members to this assortment supply a complete examine a decade of cinematic creation, masking a wide selection of fabric from the final ten years with a transparent severe eye.
Individual essays profile the paintings of up-and-coming director Alexandre Aja and re-examine William Malone's muchmaligned Feardotcom within the mild of the torture debate on the finish of President George W. Bush's management. different essays examine the commercial, social, and formal features of the style; the globalization of the U.S. movie undefined; the alleged escalation of cinematic violence; and the large advertisement approval for the remake. a few essays learn particular subgenres-from the teenage horror flick to the serial killer movie and the religious horror film-as good because the carrying on with relevance of vintage administrators akin to George A. Romero, David Cronenberg, John Landis, and Stuart Gordon.
Essays planned at the advertising of nostalgia and its concomitant aesthetic, and the apparently schizophrenic point of view of lovers who ensue to be students in addition. Taken jointly, the participants to this assortment make a compelling case that American horror cinema is as important, inventive, and thought-provoking because it ever was.
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Additional info for American Horror Film: The Genre at the Turn of the Millennium
Klein, Christina. 4 (2008): 871–98. Kuipers, Richard. ” Variety, October 10, 2007. categoryid=31&cs=1. Larsen, Erika. ItemID=8079. 14 c h r i st i n a k l e i n Marchetti, Gina, and Tan See Kam, eds. Hong Kong Film, Hollywood, and the New Global Cinema. New York: Routledge, 2007. Morris, Meaghan, Siu Leung Ki, and Stephan Chan Ching-kiu, eds. Hong Kong Connections: Transnational Imagination in Action Cinema. : Duke University Press, 2005. Paquet, Darcy. ” Variety, January 4, 2007. categoryid=13&cs=1.
Eschewing D-War’s strategy of aiming at a mainstream American market (the film was released on over two thousand screens), these companies are seeking to enter the United States via the ethnic niche market. CJ Entertainment, the largest entertainment company in Korea, produced West 32nd Street (2007), an ethnic gangster film set in Manhattan’s Korean-American business district and directed by Michael Kang (The Motel ) and starring John Cho (Harold and Kumar Go to White Castle ). Another big Korean media company, iHQ, is producing American Zombie (2007), a horror mockumentary directed by Grace Lee (The Grace Lee Project ) about a community of un-dead living in Los Angeles (Harvey; Paquet, February 13, 2007).
Xxxii Introduction Church, David. 10 (November 25, 2006). http://www. com/biblio/ phile/essays/return_of_the_repressed/ (accessed March 1, 2008). Clover, Carol. Men, Women, and Chainsaws: Gender in the Modern Horror Film. : Princeton University Press, 1992. Ebert, Roger. Review of Night of the Living Dead. Chicago Sun Times, January 5, 1967. AID=/19670105/REVIEWS/701050301/1023 (accessed March 5, 2008). Edmundson, Mark. Nightmare on Main Street: Angels, Sadomasochism, and the Culture of Gothic.