By R. Richard, Sunset Thomas
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Additional info for Anatomy of an Adult Film
This was hardly new to Shumiatsky as there had been calls for work rationalisation in the early 1930s. However, this had clearly not developed in any substantive way. 50 Shumiatsky’s trip to America also inspired his most ambitious project: to create a Soviet Hollywood. Again this idea was not entirely new, in the early 1930s various figures from the film industry had pointed to the need for Soviet cinema to have a southern base. Shumiatsky himself had first mentioned the idea to Stalin in June 1934.
The obvious concern for Party officials was not only that the more prestigious urban theatres and, to a lesser extent, the workers’ clubs and kolkhoz buildings, were still showing many dated foreign films, as well as old domestic product, but that most new Soviet films were hardly being shown at all throughout the USSR. Soviet citizens, especially in the smaller towns and countryside, could only be offered the same films from the 1920s over and over again. 30 The crux of the problem was the lack of prints available for new Soviet films.
In Moscow the majority of theatres were now under the control of the city council’s cinema trust (Mosgorkino). In effect, the competition had been significantly reduced. Nonetheless, even in Moscow there was a clear divide between the quality of theatres located in the centre of the city and those further outside the main metropolis. Managers of the top theatres knew that they would be most likely to receive the best films and the newest prints. Consequently, they could charge as much as four roubles a ticket in comparison to the lesser theatres, which usually charged less than two roubles a ticket.