By Jonathan Santlofer
Nate Rodriguez is a police cartoon artist for the NYPD, and his luck cost is excessive, with one out of 3 of his drawings resulting in an arrest. but if he's confronted with an strangely proficient killer, he realizes that he could have met his fit. For this killer is a guy greatly like himself–a guy who sees and thinks in images. A killer who leaves drawings on the crime scenes depicting his murders in chilling, gory–and prescient–detail.
As Nate's photos turn into an increasing number of actual photographs of the madman–the killer reveals how to scouse borrow Nate's photographs after which imitate Nate's personal hand. The conflicting facts leads the police to suspect that Nate himself may be the killer and pushes Nate right into a scary cat and mouse chase for his quarry. existence and demise, paintings and artifice have by no means been so vividly certain jointly.
Jonathan Santlofer pushes the bounds of the mystery to new heights with this masterful combination of paintings and suspense. With sequential sketches that trade through the text–first the killer's, then Nate's–Santlofer teases us with impossible to resist clues and mental info brought in a hugely unique way.
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Extra info for Anatomy of Fear: A Novel of Visual Suspense
Terri glanced from the police sketch in the detective’s hand to the guy cuffed to the chair. Schmid dangled the sketch in front of the perp’s face. ” The other cops in the room stopped writing up reports and turned toward the show, practically twitching in their chairs, waiting for an excuse to take a potshot at the perp. And they might have if some ofﬁce type in khakis and a buttondown shirt hadn’t come in with a big carton of folders, which he plopped onto a desk so he could get a good look too.
We met one day in the stairwell, Julio hiding out so his aunt wouldn’t see and tell his mother that her son was smoking dope at age eleven, and he gave me a toke, my ﬁrst. When I recovered from the coughing ﬁt we started talking, bonding over the music of Prince and Carlos Santana. From that day on we were brothers. After that I started going uptown all the time. El Barrio was an ugly ghetto, but compared to where I lived—the Penn South apartments on Eighth Avenue and Twenty-fourth, which was ﬁlled with old people and had about as much life as a funeral parlor—it was exciting.
Well, deliver it,” she said. ” The guy lifted the box, but leaned over to peek at the drawing at the same time. “Wow,” he said. ” “Thanks so much for your expert opinion,” said Schmid, who aimed a ﬁnger at the door. The guy narrowed his eyes at her, then sighed and left, balancing the carton in one hand like a waiter with a tray. Terri cleared her throat. Schmid acknowledged her with a slight turn of her head and another look of annoyance. “That sketch,” Terri asked. ” ANATOMY OF FEAR 41 Schmid sighed as if Terri had asked her to donate a kidney, but handed it over before going back to her suspect.