By Nigel Thomas, Dusan Babac, Darko Pavlovic
Contemporary heritage should still remind us that it used to be occasions within the Balkans which sparked off international warfare I (1914-1918), with the assassination of the Austrian inheritor Prince Franz Ferdinand in Sarajevo, and the resultant invasion of Serbia by way of Austro-Hungarian armies on 2 August 1914. however, the next four-year warfare in that theatre is usually overshadowed through the simultaneous campaigns at the Western entrance. For the 1st time this ebook deals a concise account of those complicated campaigns, the business enterprise, orders of conflict, and the uniforms and insignia of the armies concerned: Austro-Hungarian, German, Ottoman, Serbian, Montenegrin, Albanian, British, French, Italian, Russian, Bulgarian, Greek and Rumanian.
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James Strachey, Penguin Freud Library, xii (Harmondsworth: Penguin, 1991), 61, 67, 88. html>. ²² Freud was not alone in seeing sexuality and humanism as a way of reinvigorating civilization. Technology, sexuality, and gender could renew civilization. Sexualizing the body, especially the white male body, through classical tropes, represents a signiﬁcant shift in representing men and sexualizing ‘others’. ²³ Antique imagery was also mobilized in revolutionary discourse: the people possessed the heroic virtues once reserved for the king.
Together, The Home and Art in Australia (1916–42), created by publisher Sydney Ure Smith, became the premier vehicle by which American and European fashion and visual culture were circulated, inﬂuencing artists, many of whom were networked in the artistic and literary circles of Britain, Europe, and the United States. The magazine industry facilitated the global transmission of ideas and forms, from articles on Picasso and Cocteau to discussions about beauty and slimming. While body culture industry magazines had smaller circulations, the range of schools and papers occupied a signiﬁcant global network for the dissemination of body ideals.
This book examines the construction of the modern body through classical motifs, and the fact that sexuality and gender played an important role in recovering from war. Was modern consumption liberating or did it have the ‘domestic’ endpoint of marriage and parenthood? Exploring the visual culture of the reconstructed body, this book concurs with recent analysis of the ‘sensory’ effect of war. In letters, diaries, and literature men and women articulated the brutality of industrialized killing, while yearning for intimacy.