By Charlotte Worthington
Fundamentals Film-Making, the hot sequence from AVA Academia introduces the reader to the area of drama, documentary and cinema, determining the talents and information required to interact with the undefined. the 1st during this sequence, generating, provides a dynamic review of the realities of manufacturing movie this day; it explores the method from improvement via to post-production and distribution.
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Extra info for Basics Film-Making, Volume 1: Producing
It essential for the producer to be familiar with these laws and to ensure compliance with them. Producer greats: Lois Weber > Copyright > Legal, ethical and practical issues 40–41 Copyright ± Copyright periods Copyright covers a wide range of creative works including books, films, music, broadcasts and sound recordings, for example CDs. Copyright protection normally covers the life of the creator (for example, writer, director or composer) plus a clearly defined period of time after their death.
The producer should also ensure that all rushes/tapes are numbered, labelled and kept in one safe place. Ideally, this will be in the same location as the film is being edited. A logging notebook should be kept with them too. com. Professional tips The basics The production file should include sections for: · Budget · Location agreements · Permissions and contracts · Insurances · Contact lists: to include participants, crew and other contacts · · · · · Production schedules Call sheets Risk assessments Scripts and background research notes Post-production logging sheets, paper edits etc · Publicity materials and images Production file The production file is an essential tool in the organisation of the production.
The TV image is made up of 625 horizontal lines · NTSC (National Television System Committee) is used in the USA, Japan and Canada. The picture is made up of 525 lines · SECAM (Séquentiél Couleur à Mémoire) is used in France, Russia, Eastern Europe, Asia and Africa. The picture has 625 lines · HD (High Definition) is the next generation of TV standards. The TV image is made up of 720 or 1,080 lines 30–31 Once the project has been edited and master tapes produced, the producer will be required to deliver or hand over the programme to the broadcaster, production company or client.